Chapter XVII

May 30, 2009

It came to the attention of the Patriots that Michael Moore, who was still at large and still very large himself, had produced a grainy, low budget film about the Patriots. Of course, the docudrama was a complete falsity, but he was wandering around the country showing the film to socialists who were hiding out in various places. The film was called “An Inconvenient Revolution”.

The film was made in a garage and the purpose was to pour propaganda into the country to inflame socialists. He wanted to depict the Patriots in the worst possible light so he could muster an army with the remaining libdolts who were still left alive.

The film showed old WWII bombers dropping their loads over Germany and France. He claimed it was the Patriots dropping bombs onto Washington DC and the other cities that were hit with dirty bombs last March. He used old footage panning over the remains of the bombing of Dresden to magnify the destruction. Since the socialists never learned any history in school, and didn’t even know there was a WWII, they had no idea that they were being shown old footage of it. So, they never questioned what they were seeing.

Mr. and Mrs. GunnyG were depicted as a modern day Bonnie and Clyde couple who rode all over the country with guns blazing, shooting anyone down within their sights. He referred to them as blood thirsty gun nuts who left a wake of carnage and needed to be taken down. Of course he showed the real Bonnie and Clyde with 1930’s cars but none of the socialist questioned any of this even though they knew there was no gas to fuel the cars or even that the cars were way out of date.

In the film he inserted pictures of Ted Bundy, Albert DeSalvo, (the Boston Strangler), David Berkowitz (Son of Sam), Dennis Rader (BTK killer), Charles Manson, John Wayne Gacey, Jeffrey Dahmer, and many other real murderers and narrated in the film that these were actual pictures of Goshawk, WilliBeax, BrianR, DavidMac, chjockey47, expressit, Swampfox, J-Dawg and other Patriots. He would then focus his camera on old crime pictures of bodies that allegedly the Patriots had strewn across the country in their murderous rampages. He declared that the Patriots were the most vicious and heinous murderers of all time. He counted on these socialists memories to be quite short and not recall the faces of the real murderers and their bloody acts. He was right to count on that. The socialists’ brains were right on target, remembering nothing.

Apparently, Moore wanted to get inside the IIS to film what he considered horrific conditions, but he couldn’t figure out a way to disguise his large carriage. So in the film he showed an old butchering house where he said the socialists were being housed and butchered there like pigs and cattle. The lens of his camera zoomed on the old dried blood of animals previously killed and catsup he had dumped on the floors claiming it was the blood of hundreds of thousands of socialists. He looked into the camera and said, “The Patriots are destroying our country and our fellow citizens in the worst case of mass murder ever reported in the history of the world.” We were told that the socialists just nodded their heads with glazed eyes as they stared at the blood and catsup soaked butchering floors.

Then Moore had inserted old Nazi concentration film footage with shrunken bodies of the victims in piles and said they were the bodies of the socialists that had been killed. Again, since the socialists knew nothing about history and the concentration camps with the torture committed there they questioned none of this. After all, what country other than America could perpetrate such acts of violence and torture? One of our spies reported that during this part of the film, many of the socialists got up and fled screaming in horror.

Moore filmed PappyMichael’s Socialist Brain Eradication Center as another house of torture. He focused his camera on a large old building that was once an IRS building. Since it was once a real house of torture he wasn’t actually stretching anyone’s imagination. Inside he had placed props of hundreds of whips, leather mouth muzzles, and machines that produced electrical shocks. He showed old footage of medical brain operations where people’s heads were drilled open and doctors removing tumors. He said these were Patriots removing pieces of socialists’ brains without anesthesia and then these people were sent back to the IIS to live as vegetables until they were slaughtered. Those socialists, who remained after the butcher house scene, now ran out screeching with terror and our spies told us they vomited and clutched at one another in their deadly fear, running into trees, falling down into ditches. They had lost all sense of balance in their petrified states.

Timothy McVeigh and Terry McNichols were shown to be teadrinker and purplegimp. Even though the Mossad agents are women, Moore figured the socialists wouldn’t question the gender difference of the pictures he was showing out of political correctness. He was not disappointed. None of the socialists questioned this depiction either. He showed old film footage of the Oklahoma City bombing. He claimed that the Patriots had hired the Mossad agents to blow up buildings where homeless socialists had taken refuge. In exchange for diamonds or other monetary rewards, the Mossad agents perpetrated these horrendous acts as they had done with the Palestinians according to Moore. He portrayed the Mossad as a profit making agency where these Jewish agents would perform the most vicious crimes on innocents. He relied on the socialists’ old UN mentality to believe the Jews were the most evil of pigs that ever lived on the face of the earth.

Michael Moore was a clever opportunist. He knew the socialists were stupid and they would never question anything he filmed or claimed. He knew they had no memories, no historical knowledge, and they knew no facts. Secretly he laughed at them behind their backs at their gullibility. However, since his film had only spooked the already wimpy, cowardly and spineless socialists, it had backfired on him and failed to raise an army of socialists to fight the Patriots. His film had failed to inspire any courage. But instead had only confirmed what they already believed that the Patriots were right wing murdering, war mongering thugs. The Patriots shook their heads in wonder thinking he should have known what he was dealing with when it came to these people. After all, guns were anathema and fighting a war no matter how much you believed in your ideology was never worth that price.

The film ended with an old Paul McCartney and John Lennon song with revised lyrics by Bono and sung by Michael Moore:

YESTERDAY,
All my troubles seemed so far away,
Now it looks as if they’re here to stay,
Oh, I believe in yesterday.

SUDDENLY,
I’m not half the ton I used to be,
There’s hunger hanging over me
Oh, yesterday came suddenly.

Why they had to bomb I don’t know
They wouldn’t say
I said,
Something’s wrong, now I long for yesterday.

YESTERDAY,
Politics was such an easy game to play
Now I need a place to hide away,
Oh, I believe in yesterday.

Why they had to kill
I don’t know, they wouldn’t say
I said,
Something’s wrong, now I long for,

YESTERDAY,
Socialism was such an easy lie to play
Now, I need a place to hide away,
Oh, I believe in yesterday.

With that, Michael Moore, with the Patriots hot on his large tail, lit out for Canada.

……to be continued…..